Very interesting tale
thuoc tramadol hcl 100mg That Davis doesn't suck the film under ??? and what ultimately rights the film's entire leeward tilt ??? is simple: songs, eight of them, most of them folk standards rearranged by T Bone Burnett. Inside Llewyn Davis is not a musical, with everyone bursting into song when the mood takes them. It's the opposite: when Davis sings, he does so because the plot requires it, for an audition, or in the car to pass the time, and frequently after he has taken a particularly bad beating. This makes it almost an anti-musical, with the hero opening his lungs, not in happiness, but out of pain. The entire film seems to hold its breath for Isaac's pure, clear, plaintive voice. The Coens could easily have taken this in the other direction, and rendered Llewyn talentless ??? the trailers play impishly with this possibility ??? but instead they tack towards a more Withnailish paradox: if only the universe could stop oppressing Llewyn and listen, then it would hear how beautiful it's oppression is making him.